rear window

Today I talk about rear window which i review for The Second Annual Alfred Hitchcock Blogathon hosted by Maddy Loves Her Classic Films.  Rear window is one amazing thriller that is one of the best thrillers ever made. Hitchcock always crafts wonders so i will talk about another wonder done by Hitchcock today. I would also love to thank host and ask you check out other posts from this wonderful event as now to review this classic gem.

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rear window review(https://www.facebook.com/Wolffianclassicmoviesdigest/

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Hitchcock isn’t the master of tension without good reason as his direction in rear window of how Rear Window is one of the best instances of how Hitchcock builds tension as he manages to slowly over each scene build tension throughout the film.

Rear window is is one of Hitchcock’s finest tales which is an tale of voyeurism in miniature as every open window in the blistering apartment complex that Hitchcock’s camera resides in leads to another character, another emotion, another scene, and another mystery that you are set upon to figure out.

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James Stewart’s performance on the screen as Jeff is one of the finest acted on the screen. He emotes with such detailed movements that shows each of his expressions with his eyes and detailed movements that makes his  performance truly special to watch unfold on the screen. James Stewart delivers possibly a career best performance as the stir crazy invalid. Restricted to only minimal body movement as its truly one amazing performance you watch unfold on the screen.

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Thelma Ritter plays such a fine role upon the screen. Grace Kelly gives out such an amazing performance on the screen.  Beautiful Grace Kelly is outstanding as the lovely girlfriend who turns into an adventurous spy as she gets interested in his boyfriend’s new hobby as she gets into the troubles of the mystery with her boyfriend. She is so charming to watch unfold on the screen.

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You get the impression Hitchcock was a director that liked to be pushed and tested to his limits. From the early days of the cramped Lifeboat to the cleverly edited one-shot Rope, Hitchcock has enjoyed being technically restricted and challenged. Rear Window may have been filmed on the largest indoor soundstage at the time but he forced himself to remain tightly focused on the important elements of the story which was cleverly written by John Michael Hayes.

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Rear window is superbly directed by Hitchcock with great use of suspense, the film presents the director in complete control of his film-making wizardry that is so smartly crafted out with wonderful Cinematography by Robert barks and a wonderful musical score by Franz Waxman that all make this movie truly come to life upon the screen.

Rear Window is a wonderfully simple thriller that also flirts with comedy and drama. With the always active photographer, L.B. ‘Jeff’ Jefferies, confined to a wheelchair he is left with little to do but spy on his fellow neighbours across the courtyard. Jeff becomes a voyeur in the same way we do when we watch movies upon the screen. Rear Window is an undisputed masterpiece that you simply will adore to watch anytime.

The Ruth rating:

The Searchers

Today I talk about The Searchers which in terms of classical westerns really outshines many others of the genre. John Ford’s most compelling Western avoids  association with the genre’s established precepts. Its one of the best movies ever made for the screen as my review today looks upon this classic movie as i define this classic gem.

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In terms of classical storytelling The Searchers John Ford’s most compelling Western avoids many of the genre’s older traits. The film stars John Wayne, an actor eternally linked to Westerns, perhaps giving his best performance in any Ford film as he plays a very racist man that hates Indians with a passion in many ways you shouldn’t connect to this hero yet he is an interesting hero that is deeply flawed with so many diffrent sides to this man.

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By 1955 when production began on when production began, The Searchers would be Ford’s first Western in five years a personal risk after a number of commercial failures and artistic missteps caused him to contemplate retirement as he filmed what would be one of the finest westerns ever made. The Searchers comes naturally, as beyond its unequivocal beauty and dramatic intensity, there exists what appear to be incompatible narrative developments, symbolism, and thematic undercurrents signifying the end product that is something so profound upon the screen with amazing shots and an interesting character and story that unfolds upon the screen. When Edwards (John Wayne) returns home to Texas after the Civil War.

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When members of his brother’s family are killed or abducted by Comanches, he vows to track down his surviving relatives and bring them home. Eventually, Edwards gets word that his niece Debbie (Natalie Wood) is alive, and, along with her adopted brother, Martin Pawley (Jeffrey Hunter), he embarks on a dangerous mission to find her, journeying deep into Comanche territory.(plot form goggle) 

The Searchers sets up grim set of conditions, ranging from the landscape to individual character histories. The first iconic shot (mirrored by the film’s last iconic shot) of Martha opening the front door seems to frame the outer terrain like a photograph that shows us the vast landscape upon the screen. I would say many do hate this movie because its hatred towards Indians as the villain is common in many westerns.

A clue to Ethan’s hatred for Comanche Indians appears early in the film, when the younger Debbie goes to her hiding place before Scar first attacks in the film. He kneels down in the graveyard by a headstone, which, appearing for only a few frames, reads: “Here lies Mary Jane Edwards killed by Comanche’s May 12, 1852 A good wife and mother in her 41st year.” Sixteen years earlier, was Ethan’s own mother massacred by Comanche’s? He is a deeply flawed man on a quest to save a woman for years. It’s the quest of this man and his drive to save his family that really drives this hero to many points of rage that you see his hate come upon us and the dark humor used is often to tame down the ways of this dark hero characterizes the film’s fundamental struggle whether or not Ethan and Martin actually find Debbie is less the fear than what Ethan will do when he finds her.

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In the film’s most memorable scene, one of the greatest single moments of film, Ethan emerges from Scar’s tent on his horse and spots Debbie, who, dressed in full Comanche attire, runs in terror. Ethan chases her down a hill and corners her; Martin trailing behind yelling “No!” for Ethan not to do what he has intended to do from the outset. Ethan gets off his horse and picks Debbie up, raises her in the air like a child, the fear radiating from her. He lowers her into his arms, and says, “Let’s go home, Debbie. Ethan also is genuinely scary. His obsessiveness, his absolute hatred of Comanche’s and all Native Americans and his loneliness set him apart from any other characters Wayne played as its one of his finest with many layers to him making you wonder about him throughout the film.

John Ford was particularly proud of The Searchers, as was Wayne, who named his son Ethan after his character. The film’s initial critical reception, however, lacked passion, as did its box office receipts, and Ford was devastated by its apparent dismissal reputation at the time of its release.  The picture’s reputation would grow over time, earning recognition on top film lists as it is one of the finest movies made form this genre with marvelous acting by everyone in its cast and marvelous direction and the cinematography of The Searchers is one of films finest gems ever made upon the screen. It contains painterly images of majestic scenery, some of the most remarkable ever captured. Historians and film scholars attest to its supremacy and recognize its influence on the medium and the artists working therein. And yet, the motion picture Ford considered his own masterpiece confronts prior standards, meets issues of revenge and discrimination within a ponderous text, and revises the director’s Western model forevermore as its one of the finest movies ever crafted upon the screen. John Ford amends The Searchers from a traditional Hollywood Western into an uncommon human tragedy that makes this movie one of the finest classics you will ever see ever upon the screen that you should see today.

The Ruth rating:five bette's

NIGHT AND THE CITY

Today I talk about Night and the City. The night is tonight, tomorrow night…or any night. The city is London. Night and the City opens with an opening monologue with a voice talking about the city. The film’s opening narration, spoken by its director Jules Dassin in which i define as one of the finest noir classics all time.

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Night and the City: In the Labyrinth of the underworld.(https://www.facebook.com/Wolffianclassicmoviesdigest/)

The night is tonight, tomorrow night…or any night. The city is London. Night and the City opens with a opening monologue with a voice talking about the city. The film’s opening narration, spoken by its director Jules Dassin, recalls how filmmaker Carol Reed opened his picture in the same way. The Third Man (1949) opened like this film in many ways. This will not be last comparison to reed’s flim as both titles suggest parallel themes of realism and expressionism, both go about in it in diffrent ways. The title night in the city is hard poetry as as Andrew Pulver observed in his volume for the British Film Institute. To be sure that Dassin’s cinematographer Max Greene shoots rich street photography recalling that of Weegee.

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The locations range from flophouses to seamy flats, dive bars to alleyways. The familiar setting of London becomes a strange and unseemly environment as transforms the city into a sordid, alternate backdrop was a common theme in film noir another connection between Night and the City and The Third Man, which takes place in Vienna. Likewise, both films also use the crumbled post-World War II setting. It captures the underworld of the city which echoes the common connection of both movies of its theme.

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Dassin and Reed each harnesses the post world war II setting of the underworld setting of the destroyed cities in aftermath of the war they harnesses the reality of exposing horrendous crimes as both also have been masterfully crafted with chiaroscuro shadows and off-kilter angles, accentuating the undercurrent of darkness beneath the settings of a world in its darkest place after the end of the war as our world struggled with our darkness and sin.

When Kersh’s novel was released in 1946, producer Charles K. Feldman paid $45,000 for the film rights and hired former police reporter Jo Eisinger to write the script. Feldman had negotiated with Jacques Tourneur (Out of the Past, 1947) to direct it yet it failed to go trough to production. The production, including the book-to-film rights and Eisinger’s script, was sold to Zanuck at Fox as he did it as favor for Jules Dassin remarked, “Zanuck pushed this book in my hand, and said, ‘You’re leaving, you’re getting out of here. You’re going to London and you’re going to make this film knowing the director was a member of the Communist Party since 1939 it was chance for him to do something boldly new for the studio. However, if given a choice, Dassin later claimed he would not have fled to avoid giving testimony. Nevertheless, Night and the City would be Dassin’s last film shot in the United States until Uptight in 1968.  It’s a bleak and very dark look upon the city of London. I feel this movie is the definitive noir classic. Night and the City: In the Labyrinth by By Paul Arthur  

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At the heart of Night and the City is a master trope: the urban labyrinth. Cities in film noir are not simply dangerous or bristling with iconographic menace—they are visualized as death traps, spaces from which there can be no escape. This common pattern finds summary expression in Dassin’s film. Nearly every setting is crammed with architectural grids, frames, cul-de-sacs, narrow stairways, perspectives that choke off the mobility and freedom of human subjects (this is quoted form Night and the City: In the Labyrinth by Paul Arthur on the movie. I put link above too so you can read the wonderful essay that talks this flim) its one of the best noir classics all time in my eyes. Dassin’s status as an artist forced into isolation may have gained him, and Night and the City, sympathy after the film’s release but its well earned in my eyes as it is simply a marvelous movie.

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NIGHT AND THE CITY review

Night and the City, adapted from Gerald Kersh’s novel, is the supreme example of London noir. Its one of the finest noir classics ever produced for the screen. The writer who came up with the orginal novel was Gerald Kersh, attached it to his third novel. Published in 1938, Night and the City is a high-minded pulp thriller containing a fantastically vivid creation about the dark underbelly of a city. The city has been mankind’s booming hub for ages snice man started with cities in ancient times. They are dark seedy worlds with many layers to them. I would call night in city the prime example of what fine noir does at its finest explores the underbelly and city in a very shadowed light.
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Dassin’s well documented run and gun approach to shooting Night and the City is fully evident as the streets of London pop and fizzle under Dassin’s eye with an energy and fever akin to its underworld story. Its one of his finer noir classics that he crafted with such fine direction and craft. Image result for night and the city

The cinematography of Night and the City is remarkable with such fine details crafted by Mutz Greenbaum whom crafts out dripping alleyways with neon signs, walk-up flats, sweaty basement dives, and atmospheric streets. Greene shot them all with a combination of expert chiaroscuro and the fast-paced, documentary-style realism that really makes this noir classic a gem to behold upon the screen.

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This is by far one of Richard Widmark’s best performances. He’s a live wire from start to finish. We never see Harry Fabian rest, not even once, as he’s trying to make his dreams of being a big shot a reality as he gives out one of his finest hours on the screen. It has wonderful acting by everyone in its cast. Night-and-the-City-3

 The film’s centerpiece is a brutal impromptu wrestling match in Harry’s gym between The Strangler and Gregorius. Nobody can separate these two giant men and all Harry can do is watch and hope as his dreams of melding the classical and circus-like worlds of wrestling are dashed with every kidney punch and death grip attempt in this seedy classic.  

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This is by far one of the best crime stories I’ve ever seen. Dassin does an amazing job of ratcheting up the tension in every scene that makes it one of the finest noir movies I ever watched on the screen. You simply should see this classic movie today.

The Ruth rating:five bette's

Why ray harryhausen should have gotten an oscar

Why ray harryhausen should have gotten an oscar

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For me as a child they were the films that always stood out form anything I had seen in many special effects driven movies. They may be movie monsters but they felt so real.  He inspired many special effects artists and directors that work today on movies. When i did start learning names as I was able find his name and i adored his work even more and learned more about it. I learned more about it. Long before CGI ray created the monster magic of movies we had ray harryhausen creating our monsters.   So today i talk about ray harryhausen for 31 days of  31 days of oscar blogathon.

I would love thank  Aurora of Once Upon A Screen aka @CitizenScreen and Kellee of Outspoken & Freckled and @Irishjayhawk66 and Paula of Paula’s Cinema Club and @Paula_Guthat  as I hope you also check others posts from this Wonderful Blogathon  today  on their respective blogs as i truly thank them for honor of allowing me to talk this topic. . I explain why he should have won an Oscar for his work. Let’s talk about him now.

Why ray harryhausen should have gotten an Oscar.

Ray harryhausen was  inspired Willis h. O’Brien whom was his mentor Willis H. O’Brien as he was inspired by the movies of Willis h. O’Brien whom did King Kong among other works as he Ray harryhausen began his first animated works for George Pal’s Puppetoons which  were a series of animated puppet films made in Europe in the 1930s and in the U.S. in the 1940s. They are memorable for their use of replacement animation: using a series of different hand-carved wooden puppets (or puppet heads or limbs) for each frame in which the puppet moves or changes expression, rather than moving a single puppet, as is the case with most stop motion puppet animation, many of these shorts are very good to watch. During World War II, Ray Harryhausen served in the United States Army Special Services Division under Colonel Frank Capra, as a loader, clapper boy, gofer and later camera assistant whilst working at home animating short films about the use and development of military equipment. During this time he also worked with composer Dimitri Tiomkin and Ted Geisel (“Dr. Seuss”). Following the war he salvaged several rolls of discarded 16 mm surplus film from which he made a series of fairy tale-based shorts, which he called his “Teething-rings. So he started work in 1947 on mighty Joe young as he was the animator on that movie.  So he did most of stop motion animation on mighty Joe young which won an Oscar in 1949 for best special effects which began his magical movie works on the screen as today i talk my favorite creature creations of this magical man that i feel does show best why he deserved an oscar for this work so lets begin this adventure into his work.

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This is Ray Harryhausen if reading this I am sure he was your hero too. He made the monsters the star which is the coolest thing in the world. Ray Harryhausen is A childhood hero of mine. I can say that i have been obsessed with his work since I was a boy. His monsters had more personality then me as a boy but it was truly magical when I first saw his movies i was in awe and wonder. it showed me that one man can make such wonders. I knew these monsters were not real but they touched my heart. it is still so true to my heart because I seen them when i was a boy and not know how they were done. I remember many as boy saying they were not real but i didn’t care. I seen many things that passed in such effects but I never could get over how amazing this guys truly stands out. Ray Harryhausen truly is the greatest artist of special effects. One of the my true heroes to my heart as i will talk some of my favorite  creatures he did now as i begin my tribute to Ray Harryhausen and his works now.

The magical creature creations  of Ray Harryhausen 

Ray Harryhausen’s love of dinosaurs  dates from 1925, when he first saw Willis O’Brien’s film The Lost World in the cinema at the age of five, which he described with the words, I was about five years old when I had my first taste of dinosaurs. My parents took me to see the movie of Sir Arthur Conan Doyle’s The Lost World (1925) in which an intrepid group of explorers, led by the fearless Professor Challenger, discover a dinosaur-infested plateau in the South American jungle. I had never dreamt that such huge and terrifying creatures might exist and they captured my imagination immediately, setting me on the path to a career in animation.
The Lost World inspired him to make papier mâché puppets of dinosaurs. These puppets, and the sets in which they performed, became increasingly sophisticated, allowing him to develop model making skills that would prove key in later life. After seeing King Kong at the age of 14 in 1933 he made more marionettes of the main creatures; those of King Kong 1 as well as a brontosaurus, pterodactyl, triceratops and Tyrannosaurus rex. These puppets remarkably still exist, photographs of which were published in Ray Harryhausen’s Fantasy Scrapbook. So it inspired him to create  his many wonderful creations.

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Mighty Joe Young (1949)

I would say of my favorite movie moments is  the scene of Beautiful Dreamer is one of my favorite movie scenes all time as this scene shows off the animation of ray as its truly magical to see Terry Moore held by mighty Joe young as each animation frame here you see the animation of his face and his expressions it’s just a joy to see the scene. It’s a wonderful wonder this scene. Mighty Joe young is a must see today as its a very wonderful gem you should see today.

The Beast from 20,000 Fathoms

This movie pre-dated Godzilla by one year it was As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the east coast of North America is basic story of this monster movie.  It was Ray Harryhausen frist movie after mighty Joe young. Ray Harryhausen love of dinosaurs as he creates one of my favorite creatures as it has such life to him as he feels more alive then Godzilla as he moves in ways that makes him feel alive and real.  The Rhedosaurus itself remains a definitive creature of his creations as each frame is done  by frame by frame. I would say many of the scenes as he did such scenes as him destroying the lighthouse which was done frame by frame. The beast eating the cop was one famous scene as we see it was done with a cop figure toy getting ate by a slow motion frame by frame movement of Rhedosaurus which he did it slowly frame by frame for each second of animation to make it seem like the creature of eating the cop.  So he would place his model on an animation stand in front of this screen and then place a large pane of glass in front of that. On this glass he painted in black the foreground that he wished to block out as After filming the animated sequence so that the creature interacted with the actors as planned which is how  Rhedosaurus is animated carefully againist the actors to seem like they exist together as i would say this is a fun b movie you should today.

It Came from Beneath the Sea (1955)

It Came from Beneath the Sea is one of the most famous  giant octopus features ever made. A vintage science-fiction thriller that makes use of Ray Harryhausen’s legendary stop-motion animation as each of the  giant octopus’s motions are carefully animated frame by frame slowly and carefully as each by a second of flim to move the arms of this creature on screen as ti destroys the golden gate bridge is one famous scene that the city feared would hurt them as they thought it was too real for this creature to destroy their bridge. It is truly a work of art to see it destroy the city and objects on screen as you see the skill and wonder of this artist unfold on the screen. It’s very much a b-movie at heart with some b-movie level acting and charm that is truly fun to watch on screen.

The 7th Voyage of Sinbad (1958)

The Cyclops is a wonderful creation of Ray Harryhausen to watch on the screen as he has such a marvelous personality that really draws you instantly to watching him on the screen as he is truly a fun to watch unfold on the screen in such marvelous scenes on the screen.

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The celebrated skeleton duel truly is such fun to watch unfold on the screen. It is one of the best action scenes ever done for the screen as this marvelous scene has inspired so many magical movie moments to come in movie history you will get such joy and glee form watching this scene unfold.

The movie’s cast includes Kerwin Mathews as Sinbad and Torin Thatcher and Richard Eyer all giving such wonderful acting. Its music by Bernard Herrmann is magnificent as ever its score is very wonderful. This is one of the best Sinbad movies all time as it’s truly a fun classic you can watch again anytime.

 

Jason and the Argonauts(1963)

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 The fascinating odyssey of Jason in search of the Golden Fleece is a marvelous action adventure classic that is one of Ray Harryhausen’s most famous creations all time.

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when Jason and the Argonauts skeleton fight unfolds on the screen you see one of the most amazing moments ever done for screen as it’s a fight that comes out with so much magic and joy form watching it unfold on the screen as this scene inspired many movies to come and many action scenes for ages to come you see a scene that is such a marvelous work of craft unfold on the screen. This scene is truly one epic scene for all time that is one of most iconic moments in movie history.

The mastery of Ray Harryhausen, you won’t get this kind of effect from CGI animation as telos awakens you feel the wonder of the magic of seeing it come to life on screen as he carefully it’s such a marvelous wonder to watch unfold on the screen.

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The Valley of Gwangi (1969)

The Valley of Gwangi has suffered years of obscurity which is unfair to such a marvelous classic. The Valley of Gwangi is one of my favorite films from the team of Ray Harryhausen and producer Charles H. Schneer. It is a huge sugary ball of things I love to see in a movie as it mixes western and monster movies to create something totally original and fresh for its time. The Valley of Gwangi was originally written by King Kong’s Willis O’Brien, Gwangi script was never filmed, but a copy owned by Ray Harryhausen stored in his garage was resurrected in 1966.With additional work by writer William Bast to finish up the story. The Valley of Gwangi has wonderful acting by its cast of actors as they all give out such wonderful performances on the screen. The stop motion dinosaurs vs. dinosaurs all animated by Ray Harryhausen are such joys to watch unfold on the screen as these dinosaurs are some of my favorites to ever come on the screen ever. It is one fun b-movie you should see today.

The Golden Voyage of Sinbad (1974)

The Golden Voyage of Sinbad was released in 1974. Tom Baker acts out a terrific performance on screen as Koura as he plays a sinister villain role before he played the doctor in doctor who. Tom baker gives us one of the best villains I ever seen on screen. John Phillip Law truly is wonderful as Sinbad. Caroline Munro is great in her respective role. The acting of everyone of its cast truly shines. This movie quotes many Muslim verses and quotes of their faith.

The monsters of The Golden Voyage of Sinbad stand out as such marvelous monsters you will instantly love to watch many times again and again on the screen. A centaur and a griffin and Kali all really stand out as such marvelous monsters to watch on the screen. The lengthy, incredibly-rendered sword-fight with Kali is the undisputed highlights of the film as it is a marvelous action scene that will wow you instantly as it unfolds on the screen as it is a terrific set-piece that still captures the imagination to such wonderful levels as it is one of my favorite monster fights ever put to the screen. These monsters are all amazing to behold on the screen in this classic gem.

The golden Voyage of Sinbad Snake woman is another marvelous creation by Ray Harryhausen as it comes on screen you are drawn to charms and the wit and humor of this scene really makes you smile and look in wonder as this fun scene unfolds on the screen.

Centaur vs. Griffin from The Golden Voyage of Sinbad is one truly fun moment that showcases some of the best acting by tom baker of doctor who fame ever on screen as you see him truly show you why he truly is one amazing actor. It’s a fun monster moment created by Ray Harryhausen that really is such a marvelous gem of a scene to watch unfold on the screen. The special effects of this movie all bring to life this magical gem of a tale on screen.

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The sword fights truly is another fun element of this classic movie as each of them are such fun to watch unfold on the screen as they bring you such joy and wonder as you watch them unfold on the screen. The Golden Voyage of Sinbad is a fun adventure movie with wonderful acting and wonderful effects and great action scenes that makes it a classic gem you should see anytime.

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Clash of the Titans (1981)

Clash of the Titans has been a favorite movie for me to watch since I was a little boy it introduced me to Ray Harryhausen as this was my first movie I seen of his work on screen as I did not yet know who he was yet when I first saw this movie. Ray Harryhausen’s creations are the mechanical owl, Bubo; the two-headed dog, Dioskilos; the snake-headed, Medusa; the Pegasus; the giant scorpions; and of course the famous monster known as The Kraken as each of them are such wonderful works of art to watch on the screen. The score by composer Lawrence Rosenthal is one great musical score that I feel is such a wonderful soundtrack for this classic gem of a film.  The movie truly is a marvelous adventure movie you should watch today.

I would love to express my great joy today that I got to talk about Ray Harryhausen today.  I felt such joy to talk his marvelous movies and creations today. I feel is shamefully sad stop motion animation never got its own Oscar for each of his movies would have won the award easy. I would love to thank all hosts as I enjoyed my talk about this marvelous man today I hope you join me again soon for more movie magic.

 

In A Lonely Place.

In a Lonely Place

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Today I review In a Lonely Place which is a fine noir classic about Hollywood. Let us review this classic movie today.

In a Lonely Place review

Nicholas Ray’s in the lonely place presents us a very amazing noir classic about a Hollywood writer whose temper leads to accusations of murder and conflicted relationship. I would say this film stands among other Nicholas Ray classics such as they live by night and rebel without a cause and Johnny Guitar  and On dangerous ground. Martin Scorsese and Wim Wenders are among fans of his movies.

Humphrey Bogart’s performance in a Lonely Place. Humphrey Bogart shows what he capable in his skills as an actor to do on the screen. Humphrey Bogart plays Dixon Steele in his darkest role on the screen. He shows off his true darkness of his soul to give us his finest hour on the screen. Gloria Grahame plays her finest hour on screen as Laurel Gray whom is one dam amazing character on the screen. It plays to the under-rated nature of Gloria Grahame this role. It shows how this under-rated actress could do such amazing acting.

Humphrey Bogart  and Gloria Graham  have electrifying chemistry on screen together.

In A Lonely Place is a fabulous picture which was frankly never was nominated for any Oscars at all.

In A Lonely Place is told in two parts to its overall tale. The first part of the movie deals with Dixon Steele and his darker traits unfolding on screen.  We see the relationship of Dixon Steele and Laurel Gray unfolding on the screen. The movie becomes wilder and more intense as it changes gears into the second part of the tale. The second part of the tale is Laurel Gray’s tension filled moments unfold on the screen. Nicholas Ray merges both parts together dabs them with darkly affecting visuals to make one interesting movie. The black and white cinematography of this movie is truly amazing to see unfold on the screen. In the lonely place is true gem of movies that you will want to watch again and again.

 

The Ruth rating:five bette's

Today i reviewed n A Lonely Place  as it told a tale about a Hollywood screenwriter. Nicolas ray made such a an amazing classic movie that you will enjoy anytime to watch on the screen. I hope you enjoyed my review of this classic movie. I will return in the future for another review.